"The Comeback" stars Lisa Kudrow as a one-time sitcom star who is trying to revive her career. Kudrow and Michael Patrick King (executive producer of Sex and the City) co-wrote the pilot script and will executive produce the series. Kudrow's producing partner Dan Bucatinsky is set to executive produce through the duo's production company, Is or Isn't Entertainment.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | August 2006 | 2 | |
| Season 1 | June 2005 | September 2005 | 13 |
| Season 2 | November 2014 | December 2014 | 8 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| Unassigned Episodes | 23 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | June 2005 | November 2014 | 17 |
| Unassigned Episodes | 6 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Michael Patrick King | 19 | 06/05/2005 - 12/28/2014 | |
| John Riggi | 7 | 06/26/2005 - 12/07/2014 | |
| Michael Lehmann | 4 | 06/19/2005 - 07/31/2005 | |
| Greg Mottola | 2 | 07/10/2005 - 07/17/2005 | |
| David Steinberg | 2 | 08/14/2005 - 08/28/2005 | |
| Clark Mathis | 2 | 08/07/2005 - 12/14/2014 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| John P. Melfi | 13 | 06/05/2005 - 09/04/2005 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Lisa Kudrow | 8 | 06/05/2005 - 12/28/2014 | |
| Amy B. Harris | 3 | 08/14/2005 - 11/30/2014 | |
| Linda Wallem | 2 | 07/10/2005 - 07/31/2005 | |
| Michael Schur | 2 | 07/17/2005 - 08/07/2005 | |
| Heather Morgan | 1 | 08/28/2005 |
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From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
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