Dos ritmos diferentes en un mismo cuerpo. El primero el de una actriz y el segundo el de su personaje: Luisa y Rosalinda comparten el mismo cuerpo pero no el mismo ritmo. Una tarde en el Delta del Tigre, en las afueras de Buenos Aires, un grupo de actores se encuentran a ensayar la comedia Como les guste, de William Shakespeare. Durante dicha jornada, el amor hace estragos y los roles entre actriz y personaje se confunden entre el goce por el artificio y la angustia de lo incierto. (FILMAFFINITY)
A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It. Just before they start, Luisa, who is playing Rosalind, makes a bad decision – to terminate her relationship via mobile phone. Torn between her work and her personal preoccupations, in something of a daze, Luisa goes from wardrobe tests to dialogue review and a rehearsal that confirms Rosalind as the object of desire for the entire cast: Celia, Orlando, Febe. When rehearsals are over, there is a barbeque, and Luisa finds her fellow actors planning a day in the country with their partners. This offers her a chance to overcome her loneliness, though she still harbours hopes of a phone call. –Locarno Film Festival Matías Piñeiro’s Rosalinda, an original meditation on Shakespeare’s As You Like It, is a rich and enjoyable work that sustains a brisk comic tempo in a mellow, sunlit atmosphere
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