F. L. Věk

F. L. Věk je černobílý třináctidílný televizní seriál ČSSR z roku 1971 režiséra Františka Filipa podle historického románu Aloise Jiráska F. L. Věk. Děj pojednává o českém vlastenci, publicistovi a skladateli z doby národního obrození. Předlohou pro románovou i seriálovou postavu Věka byla historická osobnost Františka Vladislava Heka. Poslední díl seriálu nesměl být vysílán před rokem 1989. Důvodem byly myšlenky o vlastenectví a svobodě, prostupující celým seriálem, které po okupaci 1968 nabyly aktuálního významu. Seriál se natáčel v Praze a v Novém Městě nad Metují – zde se jedná především o náměstí, kde mají Věkovi krám. Z dalších míst jde o vlastencovo rodiště Dobrušku, broumovský klášter, hrad Valdek a Opočno. Úvodní znělkou je duchovní českobratrská píseň z Kancionálu sestaveného Janem Amosem Komenským, který vyšel roku 1659 v exilu v Amsterodamu. Jedná se o Modlitbu za pokoru – Soudce všeho světa, Bože.

"F. L. Vek" is legendary TV serial based on the extensive novel by Alois Jirásek, famous Czech author of historical novels. Its central character is Frantisek Ladislav Vek, literary projection of interesting historical person living in years 1769 and 1847. The serial catches his childhood in the village, teenage in one Prague cloister, where he was educated, young years in Prague where he was studying philosophy and adult age after his comeback to village. He was big lover of art and music. His life was an encounter between longing and need, art and conventional life of village merchant, obligation and love, Catholicism and protestant faith. He was big patriot and he consorts with many Czech artists of its time (so the serial is full of historical men and women). He also met W. A. Mozart and sang in the premiere of his opera Don Giovanni. The important theme of the time was Czech language (in relationship with German language) which was viewed as one main element of nationality. And fight for it was the leitmotiv of all Vek's (Hek's) life. This serial which reflects the epoch of the birth of independent Czech nation was pictured in the similar time. 1971 was time when the idea of so called Prague Spring (1968) was suppressed by starting Normalization. Serial represents national trusts in social and political changes on the picture of Czech National Revival. There were many analogies between those and these days (e.g. censorship, religion submission, totalitarianism, domiciliary search and - - revolt against it, braveness of revivalists...).