In the Black Hills Indian Cession, the town of Deadwood is a settlement violating treaty obligations; a violent and uncivilized outpost that attracts outlaws and entrepreneurs, ex-soldiers and racketeers, Chinese laborers, prostitutes, city slickers and gunfighters.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | February 2005 | May 2019 | 17 |
| Season 1 | March 2004 | June 2004 | 12 |
| Season 2 | March 2005 | May 2005 | 12 |
| Season 3 | June 2006 | August 2006 | 12 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Season 1 | March 2004 | June 2004 | 12 |
| Season 2 | March 2005 | May 2005 | 12 |
| Season 3 | June 2006 | August 2006 | 12 |
| Season 4 | 0 | ||
| Unassigned Episodes | 17 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | March 2004 | August 2006 | 36 |
| Unassigned Episodes | 17 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Ed Bianchi | 9 | 04/18/2004 - 07/30/2006 | |
| Davis Guggenheim | 4 | 03/28/2004 - 06/13/2004 | |
| Gregg Fienberg | 4 | 04/03/2005 - 08/20/2006 | |
| Regina Corrado | 4 | 04/24/2005 - 07/23/2006 | |
| Mark Tinker | 4 | 06/11/2006 - 08/27/2006 | |
| Steve Shill | 4 | 06/06/2004 - 04/10/2005 | |
| Dan Minahan | 3 | 05/09/2004 - 07/09/2006 | |
| Alan Taylor | 2 | 04/11/2004 - 03/27/2005 | |
| Daniel Attias | 1 | 06/18/2006 | |
| Walter Hill | 1 | 03/21/2004 | |
| Tim Hunter | 1 | 07/16/2006 | |
| Adam Davidson | 1 | 08/06/2006 | |
| Daniel Minahan | 1 | 05/31/2019 | |
| Timothy Van Patten | 1 | 04/24/2005 | |
| Michael Engler | 1 | 05/02/2004 | |
| Michael Almereyda | 1 | 04/17/2005 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| David Milch | 7 | 03/21/2004 - 05/31/2019 | |
| Ted Mann | 7 | 06/13/2004 - 08/27/2006 | |
| Jody Worth | 4 | 04/04/2004 - 04/17/2005 | |
| Elizabeth Sarnoff | 4 | 04/11/2004 - 05/01/2005 | |
| W. Earl Brown | 3 | 08/13/2006 | |
| Malcolm MacRury | 2 | 03/28/2004 - 04/25/2004 | |
| Bryan McDonald | 2 | 05/23/2004 - 05/15/2005 | |
| Ricky Jay | 2 | 06/06/2004 | |
| Sara Hess | 1 | 05/08/2005 | |
| Victoria Morrow | 1 | 04/03/2005 | |
| Alex Lambert | 1 | 07/16/2006 | |
| George Putnam | 1 | 05/16/2004 | |
| Kem Nunn | 1 | 07/30/2006 | |
| John Belluso | 1 | 04/18/2004 | |
| Nick Towne | 1 | 08/06/2006 | |
| Bernadette McNamara | 1 | 08/20/2006 | |
| Zack Whedon | 1 | 08/06/2006 |
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A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
IGN and some of our friends have decided the best in the world of TV.
From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
A collection of historical crime, mystery and drama series.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
A living, curated watchlist of outstanding scripted TV and limited series. It combines established classics with newer shows that have earned lasting critical acclaim. Not a raw user-score ranking; reviewed regularly as recent series mature.
From iconic British sitcoms to epic American sagas, inventive animations and daring anthologies, these are the shows worth getting lost in, that have proved instrumental in evolving a storytelling form that continues to offer deeper and more complex narratives
A comprehensive list of all TV series seen and experienced throughout my life from early childhood to the present day. Usually full completion including all seasons, but at least a mandatory minimum of one full season. Will include live action and Western animation/cartoons, but exclude anime, which is on a separate list.
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
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