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All Seasons

Season 1

  • SPECIAL 0x1 Prequel

    • November 23, 2020
    • YouTube

    A prequel to the new natural history series A Perfect Planet, narrated by Sir David Attenborough. Featuring an original score from composer Ilan Eshkeri, the prequel introduces the forces of nature supporting life on Earth that the series will explore.

  • S01E01 Volcano

    • January 3, 2021
    • BBC One

    A look at how without volcanoes, there would be no life on Earth. Although destructive, magma from the planet’s molten core builds land, and mineral-rich ash from eruptions fertilises the surface.

  • S01E02 The Sun

    • January 10, 2021
    • BBC One

    From the frozen poles to the searing deserts, this episode shows how animals have come up with strategies to survive the uneven amounts of sunlight that fall on our planet.

  • S01E03 Weather

    • January 17, 2021
    • BBC One

    Weather controls the distribution of freshwater around our planet. In turn, shapes the lives of animals across the globe, rising to an incredible diversity of species and habitats.

  • S01E04 Oceans

    • January 24, 2021
    • BBC One

    There are not five separate oceans, but one. Its waters linked by powerful forces that keep them on the move. This constant mixing is vital for the health of oceans and marine life.

  • S01E05 Humans

    • January 31, 2021
    • BBC One

    Humans are changing our planet so rapidly, it’s affecting earth’s life support systems: our weather, our oceans and the living world.

Additional Specials

  • SPECIAL 0x2 Making of A Perfect Planet

    • February 1, 2021
    • BBC One

    David Attenborough is known for coverage of animal life. A Perfect Planet focuses on earth science topics and landscapes. In the context of the COVID-19 pandemic, Attenborough saw the series as well-timed, saying: "This year perhaps more than ever, people are finding comfort and solace in the natural world". The series was produced by Silverback Films, with filming beginning in 2016 and spanning 31 countries. The crew numbered around 200 and 3,000 hours of footage were captured. By the time the pandemic affected the production, it was in the editing stage, much of which was done remotely. Unable to record in his usual studio in Bristol, Attenborough converted his dining room into a sound stage by hanging duvets from the walls. He used a microphone with a lead that went into his garden. A string orchestra recorded music in Iceland, one of the few places such a gathering was possible, while woodwind and brass performers recorded their parts separately from their homes.