Des centaines de photographies anciennes ont en commun qu'on y voit un petit ours (un Teddy Bear). Pourquoi et comment une certaine Ydessa Hendeles, Canadienne, née de parents juifs allemands, a rassemblé ces photographies et quelques ours d'époque, emblématiques et rassurants.
Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.
德萨·亨德莱斯展览题为‘生活和人工’（包括艺术作品都含有活的人在该公司一个的照片或者几个泰迪熊）有疑惑的阿涅斯·瓦尔达，以至于她决定去多伦多，其中艺术家的生活和采访她。在阿涅斯·瓦尔达的DV镜头前，Ydessa讲述了她的艺术方法的单一性。她还表示自己对大屠杀，这两个她的父母幸存。
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