I first respond to the many eager commenters on my video "How and why classical musicians feel rhythm differently," then launch into the regular Q+A. This was a long one, so thanks so much to Dan Munckton, Your Home Recording Studio, MrYourfavoritezombie, Billy TheKidd, joeoj12321, TheGerogero, LoftOfTheUniverse, Fotenks, Will Castillo, Wetrock Music, Jeffrey Preston, FluffyWagglekins, Pate Huhtala, Mi Pe, Nathaniel Haiden, Mark The Mimic, shvona, Aidan Rabinowitz, Aaron Orel, Timothy Brown, Ari Wells, Jack, thegreatgambeeno, Frank Michaux, Sam Lockhart and empressmothra for their comments! Regular Q+A starts at 4:30. 4:36 Playing outside in Jazz 5:19 Eliminating string noise on bass 5:56 Horn-ness 6:04 On one finger per fret for bass 6:45 Bass Scale length 7:21 My education 7:46 Why I didn't use Swannee river in the polytonal Linkin park 8:19 Music similar to the grooves I used in How to Speak in odd Meters 8:34 Bass playing in "radio rock" (lol) 9:21 Is the content in "Why is major Happy" content that you study in college? 9:52 College level papers as videos 10:28 Why play at pianos upstairs? 10:58 Brides as control freaks 12:09 Why I don't take taxis everywhere 12:45 LACM and models for higher education learning 13:25 The important of playing live shows 13:28 What "skronk" means 14:58 What constitutes a good drummer 16:02 The importance of the ride/hi hat in swing jazz 16:40 Why would you even want to "sound like a bassist?" 17:47 Low action or high action? 18:40 On burning out 19:39 Possible advantages of men and women to music making 20:43 Getting a louder bass mix 21:49 Comparing vaporwave to the Romans' and Renassaince artists' penchant for nostalgia 22:48 The relationship of vaporwave to chopped and screwed SUPPORT ME ON PATREON http://www.patreon.com/adamneely FOLLOW ME ON THE INTERNETS http://www.facebook.com/adamneely http://www.instagram.com/its_adamneely BACKGROUND MUSIC/MUSIC FROM THE BEGINNING http://sunga