Every aspect of a Lido Pimienta performance is intensely intentional. Her turn behind the Tiny Desk is, as expected, rich with symbolism and musical beauty. This year’s La Belleza is a deliberate break from the electro-cultural pastiche of 2020’s Miss Colombia, leaning on European-influenced chamber music. Think minimal string arrangements under the resonant vocals we’ve come to love. The way she opens her Tiny Desk with “Quiero Que Me Beses” is very Pimienta: after three minutes of violin, bassoon and clarinet, we are then introduced to the Afro-Colombian percussion and marimba familiar to Colombian folk music. Pimenta is often clothed in costumes that act as visual representation of her singular musical vision. To my eyes, the elaborately designed, multi-layered, all-black dress she wears can be seen as a blank canvas on which we can all project our own appreciation of her music and its messages. With Lido Pimienta, what you see is as important as what you hear.