After breaking down the filmmaker’s voice into six central parts, Professor Williams demonstrates how the audience itself—specifically our expectations—can play a key role in voice. Looking at films such as Anomolisa, The Artist, When Harry Met Sally, and others, you’ll see why it is what the filmmaker chooses to say with their voice that is important. Professor Williams also provides a list of five ways audiences can be made uncomfortable, reveals what a movie can tell you about itself in the first 10 minutes, and introduces three movies you’ve probably never heard of, but shouldn’t miss.