The narrative of the show focuses on Carrie Bradshaw and her three best friends, Miranda Hobbes, Charlotte York and Samantha Jones. The women discuss their sexual desires and fantasies, and their travels in life, love and lesbianism. The show often depicts frank discussions about romance and sexuality, features a short montage of interviews of people living in New York City.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | October 2003 | May 2010 | 6 |
| Season 1 | June 1998 | August 1998 | 12 |
| Season 2 | June 1999 | October 1999 | 18 |
| Season 3 | June 2000 | October 2000 | 18 |
| Season 4 | June 2001 | February 2002 | 18 |
| Season 5 | July 2002 | September 2002 | 8 |
| Season 6 | June 2003 | February 2004 | 20 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | October 2003 | March 2004 | 4 |
| Season 1 | June 1998 | August 1998 | 12 |
| Season 2 | June 1999 | October 1999 | 18 |
| Season 3 | June 2000 | October 2000 | 18 |
| Season 4 | June 2001 | February 2002 | 18 |
| Season 5 | July 2002 | September 2002 | 8 |
| Season 6 | June 2003 | May 2010 | 22 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | June 1998 | 1 | |
| Unassigned Episodes | 99 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Michael Patrick King | 44 | 06/21/1998 - 05/27/2010 | |
| Darren Star | 15 | 06/06/1998 - 10/08/2000 | |
| Allen Coulter | 8 | 06/06/1999 - 06/17/2001 | |
| Michael Spiller | 7 | 08/29/1999 - 07/29/2001 | |
| Charles McDougall | 6 | 08/06/2000 - 07/28/2002 | |
| David Frankel | 6 | 08/05/2001 - 09/14/2003 | |
| John David Coles | 6 | 06/27/1999 - 08/11/2002 | |
| Alan Taylor | 5 | 08/01/1999 - 08/10/2003 | |
| Michael Engler | 5 | 07/08/2001 - 01/25/2004 | |
| Allison Anders | 4 | 08/08/1999 - 07/30/2000 | |
| Timothy Van Patten | 4 | 08/17/2003 - 02/22/2004 | |
| Nicole Holofcener | 4 | 06/21/1998 - 07/16/2000 | |
| Dan Algrant | 3 | 09/12/1999 - 08/27/2000 | |
| Susan Seidelman | 3 | 06/06/1998 - 08/09/1998 | |
| Pam Thomas | 3 | 08/15/1999 - 06/25/2000 | |
| Victoria Hochberg | 2 | 07/18/1999 - 07/25/1999 | |
| Alison Maclean | 2 | 06/07/1998 - 06/28/1998 | |
| Matthew Harrison | 2 | 08/16/1998 - 08/23/1998 | |
| Julian Farino | 2 | 02/01/2004 - 02/08/2004 | |
| Martha Coolidge | 2 | 02/03/2002 - 02/10/2002 | |
| Michael Fields | 2 | 07/12/1998 - 08/02/1998 | |
| Wendey Stanzler | 1 | 01/11/2004 | |
| Dennis Erdman | 1 | 08/20/2000 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Cindy Chupack | 17 | 07/18/1999 - 02/08/2004 | |
| Jenny Bicks | 15 | 07/26/1998 - 02/08/2004 | |
| Elisa Zuritsky | 6 | 07/15/2001 - 01/11/2004 | |
| Julie Rottenberg | 6 | 07/15/2001 - 01/11/2004 | |
| Allan Heinberg | 4 | 09/24/2000 - 02/03/2002 | |
| Terri Minsky | 2 | 08/09/1998 - 09/12/1999 | |
| Nicole Avril | 2 | 08/02/1998 - 06/17/2001 | |
| Michael Green | 1 | 08/16/1998 | |
| Aury Wallington | 1 | 02/01/2004 | |
| Becky Hartman Edwards | 1 | 09/10/2000 | |
| Liz Tuccillo | 1 | 08/03/2003 | |
| Judy Toll | 1 | 08/11/2002 | |
| Ollie Levy | 1 | 08/22/1999 | |
| Amy B. Harris | 1 | 01/27/2002 | |
| Jenji Kohan | 1 | 07/05/1998 | |
| Merrill Markoe | 1 | 09/05/1999 | |
| Alexa Junge | 1 | 08/25/2002 | |
| Sue Kolinsky | 1 | 08/02/1998 | |
| Jessica Bendinger | 1 | 07/08/2001 |
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From creator Darren Star, “Sex and the City” was a series based on the 1997 book of the same name by Candace Bushnell. Set and filmed in New York City, the show followed the lives of a group of four women—three in their mid-thirties and one in her forties—who, despite their different natures and ever-changing sex lives, were inseparable and regularly confided in one another. Premiering in 1998, the series went on to last six seasons, becoming a major hit for HBO and eventually spawning two successful follow-up films.
From iconic British sitcoms to epic American sagas, inventive animations and daring anthologies, these are the shows worth getting lost in, that have proved instrumental in evolving a storytelling form that continues to offer deeper and more complex narratives
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A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
So many golden ages, so much brilliance from which to choose. In culling from the "60 Greatest" lists we've compiled during our 60th-anniversary year, we shook things up, blending drama, comedy and other genres to salute the shows with the biggest cultural impact and most enduring influence. What will the next 60 years bring? We can't wait to find out.
Tv shows I've watched even if it is for a few episodes (with minimum 3 episodes)
From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
IGN and some of our friends have decided the best in the world of TV.
What's the best TV show of all time? Who knows? This poll is strictly about favorite shows, the programs people in Hollywood hold nearest to their hearts — that remind them of better times or speak to their inner child or inspire their creativity or just help them unwind after a crappy day at the studio — even if one or two of the programs listed here aren't exactly masterpieces of the medium.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
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